Courage, 30,000 BC: The Boqueirão Refuge at Pedra Furada
The second book in the Pre-Clovis Archaeological Sites in
the Americas Series, Toca do Boqueirão da Pedra Furada, Parque Nacional Serra da Capivara in Brazil, is associated
with phenomenal cave art. It depicts a
vital community living in the middle of nowhere. I was entranced when I saw the first images
of the cave art. I wondered why the
people were there, what possessed them to create the cave art, why they painted
what they did, why they chose the variety of media, what the tree ritual might
be about, and so on. This is the place where the writer of
fiction has a license that scientists are not supposed to have, the opportunity
to answer the questions in a logical but creative fashion. Frankly, the cave art is the inspiration for
the story. The images speak to me. I love their connectivity among the people and
with the wildlife. There is a touch of
joy to me exhibited in the cave art.
I intend to share with you images that I took from my
research and from the cave art to weave this story. The reason for sharing is that when these
images are printed they’ll be in black and white. You can see the full color images here. The other element in story development is in the Exordium in
each of the novellas. It adds another
level of transparency into the author process.
First, here are images of the elements intended for the
cover. These will be transmitted to the
publisher’s design team, and they’ll pull the images together into a whole. First, is the young girl, Maru. The image is from Pedro França/MinC (CCA
2.0). The second image is the crocodile. The image is from Tomás Castelazo, (CCA-SA
2.5). The background is the mimosa tree
image, available in the public domain.
This is the geographic location of the Serra da Capivara National Park
in Brazil.
My illustration.
The amazing picture here is Pedra Furada.
Pedra Furada, Serra da Capivara National Park (Artur
Warchavchik CCA-SA 3.0)
This gives an impression of the land forms, sandstone from
the bottom of a warm sea long, long ago.
The image is courtesy of Diego Rego Monteiro (CCA-SA 3.0)
Courtesy Diego Rego Monteiro, (CCA-SA 4.0)
Here is a close up of the same image. I had to magnify this shot 400 times normal
to learn the secrets of the paint application and in some cases what the artist
did. Today’s technology is phenomenal!
This image is courtesy Artur Warchavchik (CCA-SA 3.0)
This image is fun!
Must have been quite a dash!
Serra da Capivara National Park Cave Art (B4unorocha CCA-SA
3.0)
Here are some random images.
I wanted to show a rhea, the large bird that is a bit like an ostrich.
Courtesy Artur Warchavchik (CCS-SA 3.0)
This image shows what people today call the tree ritual.
It is shown courtesy Vitor 1234 (CCA-SA 3.0)
Here’s another active scene.
The great white gash is where some of the cave wall fell off.
Courtesy Augusto Pessos (CCA-SA 3.0)
This image totally fascinates me. There is a giant cat overshadowing the whole
image. It’s comparatively huge. I did not address this but find the artwork
arresting.
Courtesy Diego Rego Monteiro (CCA-SA 3.0)
Finally, a little romance, though there is no romance in the
novella.
Courtesy Willame carvalho e silva (CCA-SA 3.0)
Now, if you read the book you’ll know the bases for what
threads were woven into the story from what the ancients left behind.












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